|
Elac 105 Speaker pairTwo drivers and tweeter version D'Appolito, two 70-millimeter at the rear of the inverter (but still shifted off the bottom part of it), disregard for bi-wiring, almost flat metal legs instead of thorns, budget aluminum cone drivers lack of proprietary patented "bunching" (JET) in tweeter. At that price, put a noisemaker for 200 euros, of course, impossible. Instead - a new one-inch metal squeaker Ringdome in a makeshift plastic ruporke.
We find it hard to imagine an internal structure, but judging by outward appearances, the wall thickness is less than 8 mm, but for tapping box rather dull and massive. This mystery is great there.
Timbre: honestly, with respect to the Elac formed a stereotype, and to write this part of the text I was preparing easy and carefree. But there it was! No, it is usual bright and slightly synthetical complacency. Sometimes there is a kind of dominance means, but not for long. MF in all its two longest active and detailed, and some harsh immediately replaced intoxicating correctness. We note in particular the soft (that's the right word!) Harp, which at Saint-Sa?ns mimics the clock struck midnight - loudly, alarming, believable.
Votes: almost no color, except, perhaps, the moment where it is desperately needed for the disclosure of the original design. As we remember, the main finding creators of "castrato Farinelli" is to simulate the voice of the great singer artificial digital addition of the male counter-tenor (which is almost close to the target) and female soprano. Filigree work so that we did not expect special revelation in this price category. And suddenly there was this voice - sweet, trembling, and that in this case, significantly, is not supported by sumptuous visual image. Here considerable merit midbass component - the same group that first perceived as excessive turbidity.
Stereo: in practice, well, where it does not pay much attention. And still make it into the sound of the blues in some unthinkable union voice and piano.
Bass: well articulated, but, alas, does not have a character. Steadily a play zone 60 - 80 Hz. Excesses are not expected - as failures and delights. Calm the roar of the mighty bass, contrabass prudently pushed away, in a symphony orchestra rather we feel phantom something low. Well-formed reasonable restraint.
Special features: crystal clear, solemn and slightly muffled. Skillfully dosed beautiful and emotional. Sometimes there are serious claims. Perfection in the form of a monstrous balance of properties? |